There’s a rare sense of intention running through Look Both Ways , the debut album from UK four-piece Perspective. Two-and-a-half years in the making, the self-written and self-produced record lays out a worldview. One rooted in movement, reflection, and the belief that music can be both a release and a reckoning. At a time when albums often feel like collections rather than journeys, Perspective are clear about sequencing and story. Look Both Ways is designed to be listened to...

There’s a quiet gravity to ‘Svartsengi’ , the latest single from OUTER, the alter ego of Belgian composer and producer Tom Soetaert. The track unfolds slowly, resisting resolution, as if suspended between past and present. It’s music that doesn’t rush to explain itself, instead allowing space, silence, and texture to do the emotional work. Named after the volcanic zone near Grindavík in southwest Iceland, ‘Svartsengi’ is steeped in a sense of place. The region’s recent evacuations - the...

There’s something refreshingly unselfconscious about Walter Miller’s latest single, ‘Basic Instinct’ . In an era where rock music often feels fragmented or folded into nostalgia cycles, Miller approaches it head-on: loud, theatrical, and brimming with intention. The track doesn’t ask permission; it arrives fully formed, strutting with the confidence of someone who understands that rock music was always meant to be seen as much as heard. Rooted in the grandiosity of ‘70s and ‘80s arena rock...